Wednesday, August 16, 2017

Reading Period 1: Aug 18 - Sept 7: Antigone

Four syllables in your face. 

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Due Dates:
Quiz, Monday Sept 4, 7pm
Assignments Wednesday Sept 6, 7pm

Long Read: 

Antigone, by Sophocles, lines 1-655

Short Reads: 

Aristotle's Poetics, parts 1-6 and parts 8-10
"Greece and the Theater" essay in the Sophocles book, pages 13-30

Poetry:

"Bring Me Homer's Lyre" by Anacreon

                        Bring me Homer’s lyre, yes, bring it,
                        But leave that string of blood out
                        Bring a cup of versing rules
                        Oh and mix some metres in it
                        I will sing, then I’ll be dancing
                        Not a drop of sense left in me
                        I will dance to horn and zither
                        Crying out the cries that wine makes
                        Bring me Homer’s lyre, yes, bring it
                        Oh but take that string of blood out

"Already More than Half the Pages" by Philodemus
            Already more than half the pages have been torn out of the little             book of my life;
            Look, girl, already white hairs are sprinkled on my head,
            announcing that the age of wisdom is drawing near.
            But still all I care about is laughing and drinking and the                         pleasures of the night;
            Still, in my unsatisfied heart, a fire is burning.
            Oh, Muses, my guides, write an end to it: Say, This girl, this                   one here,
            She is the end of your madness.
"He is Gone. That wild boy, Love" by Meleager

            He is gone. That wild boy, Love, has escaped!
            Just now, as day was breaking, he flew from his bed and was gone.
            Description? Sweetly tearful, talks forever, swift, irreverent,
            Slyly laughing, wings on his back, and carries a quiver.
            His last name? I don’t know, for his father and mother,
            Whoever they are, in earth or heaven, won’t admit it.
            Everyone hates him, you see. Take care, take care,
            Or even now he’ll be weaving new snares for your heart.
            But hush—look there, turn slowly. You don’t deceive me, boy,
            Drawing your bow so softly where you hide in Zenophile’s eyes.

Creative Assignment: 

Choose one of the following creative assignments and post your efforts to the Google+ Community. For visual art, you'll need to scan your work, or take a photo and post it. Please use great lighting and post something we can all see! Part of your participation grade is commenting on your classmates' work.

Option 1: Create a colorful but informative drawing of a Greek theater in which you label the SKENE, THEATRON, ORCHESTRA, and PARADOS.

OR

Option 2:
In class, we are going to be loosely following these instructions to create theatrical masks for use in our production of Oedipus #Rekt.





Read a bit about the role of masks in Greek theater. Create two sketches for masks we might make -- one for Antigone, one for Creon. Your sketches should each be the size of an 8.5x11 sheet of paper, and we should be able to tell which character is represented just by looking. 

Writing Assignment: 

Choose one of the following writing assignments and post your efforts to the Google+ Community under the appropriate category, and identify which reading period it belongs to. Part of your participation grade is commenting on your classmates' work. 

Option 1:  After reading the introductory essay, "Greece and the Theater," write a 300 word essay in which you answer this question: If a modern city declared a three day festival and theatrical competition, would there be an audience? Give your opinion based on what you know about people and their interest in live theater, and the popularity of film festivals like Cannes and Sundance. What would make this work? What would make this fail? In your essay, you must use and define the following terms: Catharsis, Perepeteia, Hamartia, Anagnorisis.

OR

Option 2:
Read the "Ode to Man" section of Antigone, the chorus' speech in lines 375-416. Then read Anne Carson's poem "The Ode to Man from Sophocles' Antigone" in The New Yorker. Write a 300 word essay paraphrasing these lines. You can use your own imagery, and your own ideas if you like, but you must communicate the same idea. Therefore your first task will be to figure out what that idea is.

AP Language and Composition:

If you intend to take the AP Language and Composition test at the end of the year, you will have some extra reading and writing to do. If you write the essay, post your essay under the "World of Ideas" category on the Google+ Community. If you choose to answer the questions, email them to me with the subject header World of Ideas Reading Period 1.

In World of Ideas, read "Thoughts from the Tao-te Ching" by Lao Tzu. Choose any of the essay prompts (1-5) in the Writing Assignments section and write a 300 word essay OR answer all of the Questions for Critical Reading.


Quiz:

Your quiz is over the assigned excerpts from Aristotle's Poetics, and the "Greece and the Theater" essay. You may use the texts to help you answer. Send your quiz in an email with the subject header Zombie Hotsauce Quiz Reading Period 1. Copy the questions into the email and add your answers. 

1. What characters and plots did Greek tragedy primarily depict?
2. What were dithyrambs?
3. Which deity was considered patron of the arts and honored at the Athenian theatre festivals?
4. Who are the three great Greek tragedians?
5. At the time of Euripides’ death, how many actors, apart from the chorus, were in a Greek tragedy?
6. Interspersed with each trilogy of tragedies at the festivals were shorter, comical plays, called ________ plays.
7. Why did the actors wear masks?
8. Describe one function of the chorus.
9. Identify Aristotle’s Three Unities.
10. What meter was Greek tragedy primarily written in?
11. Why did Plato dislike poetry and drama especially?
12. What distinction(s) does Aristotle make between tragedy and comedy?

BONUS. Match the following parts of a tragic choral song to their descriptions.

___ Antistrophe a. Second movement of a choral song
___ Episode b. Chanted as the chorus enters; anapestic meter
___ Prologue c. oft-omitted, static wrap-up of a choral song
___ Parode d. First movement of a choral song
___ Epode e. Exposition given before the chorus enters
___ Strophe f. Chanted dialogue between an actor and the chorus
___ Exode g. A reaction to the preceding episode, no actors onstage
___ Stasimon h. The chorus’ last song 

Friday, January 20, 2017

British Literature Fall 2016 Final Exam

This exam should take two hours to complete.

Materials:
Pencil (or pen) and paper
Your class notes from my lectures
Adventures in English Literature (the brown textbook)
The Story of Britain
Pride and Prejudice
Wuthering Heights
King Lear
A Tale of Two Cities

1. Write a step by step description of how to write a research paper. Start with the impetus for writing, explain the steps, and end with the benefits of having completed such a thing.  This essay will be worth 15 pts.

2. Write an essay describing the intellectual and artistic shift from the Age of Enlightenment to the Romantic Age. You must reference at least four literary works and at least two historical events. 15 pts.

3. In all three of the major works we read this fall, parallelism played a major part in illustrating the author's ideas. Write an essay describing the use of parallelism to illustrate an idea in King Lear, A Tale of Two Cities, and Wuthering Heights. 20 pts.

Saturday, September 24, 2016

King Arthur Restaged

One option for the creative assignment in Reading Period 3 was to read about the 19th century photographer Julia Margaret Cameron, and the illustrator Gustave Dore, and study the photographs and drawings that illustrated Tennyson's collection of poetry, Idylls of the King. The assignment then asked that students create an illustration of their own, or recreate a photograph. Here are the results.

The death of Elaine:

Photo by Julia Margaret Cameron, 1860s

Petra with an assist from Jayson

Here are some interpretations of the excerpt from Morte D'Arthur by Thomas Mallory, when Arthur gets his sword Excalibur: 

Illustration by Alfred Kappes, 1880

Rachael


Sarah and Carrie collaboration.



Martina with charcoal.
Gerry with Lego.

Benny with Zelda sword.

Sarah utilizing weather conditions.

Jasper portraying Arthur wearing a paper crown, pulling a Nerf sword out of a sink full of water, while sporting a booty tooch with duckface.

My students make me so happy.




Friday, August 12, 2016

Summer History

To get geared up for British Literature, we're going to catch up a bit with British History, during the period between the Romans and the Norman Conquest. This assignment, do be done over three weeks, involves approximately 100 pages in The Story of Britain by Rebecca Fraser, and approximately 100 questions, each corresponding to a page number. Here are the three assignments, linked to the question sets, and the due dates:

Due Friday, Aug 19, 7pm

The Anglo-Saxons Ethelbert of Kent to the Viking Invasions
Due Friday, Aug 26, 7pm


Due Friday, Sept 2, 7pm

Remember, if you get stuck, that the number of the question corresponds with the page number! You'll find your answer there. 

On Friday, Sept 2, you'll be officially in your first reading period for the term, and from there on, we'll be sometimes reading a section of The Story of Britain and sometimes doing another historical assignment. The work we do in this class, combined with our research essay in fall semester, and last year's historical studies, or augmented by some extra work (videos, books, etc) to be determined by your parents, will count as a history credit as well as a literature credit. 

Submit your answers by copying and pasting into an email to me the questions themselves and also your answers. 

Thursday, November 28, 2013

The Bennet Family Portraits

In response to the "Art Connection" assignment for reading period 17, students created the following portraits:








And as a bonus, here's the map Hannah created to show the locations in the book:


Saturday, July 13, 2013

Welcome

Hello Parents!

We are less than three weeks from the start of class, and there are a few arrangements that we need to take care of before we begin.

1. Buy the textbook. We will be using Adventures in Literature, Pegasus Edition. There are many copies available used on Amazon at the link provided.

2. Sign your child up for Google+ and email me a link to the profile. When I have a link to a profile I can invite him or her to be a member of our Google+ Community for the class. Only students and I will be members of this community -- parents may look over shoulders or communicate with me via email.

3. Log your child in to QuizStar with his or her login and password as instructed in my email or on the Google+ Community.

4. Read through the pages of this blog at the links above and email me with any questions.

Class begins on July 31. Parents are my co-teachers. Each student will have an individual page with grades and record-keeping that only he or she and his or her parent and I can see. This should appear in your Google Drive -- please let me know if you cannot find it. If your student needs to miss a week because of travel, camp, illness, or just a particularly busy week, he or she will get an automatic A on the weekly assignments for that reading period. The parents will be the judge of when this is necessary, but I would advise giving no more than 4 during the 20 weeks of the semester. Let me know if there are extenuating circumstances and let me know in advance if possible when weeks will be missed.

Love,
LYDIA